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Count Mátyás Sándor is the protagonist of this exciting series based on the popular novel by Jules Verne. In 1859, after the defeat of the Habsburgs in Italy, the wealthy Transylvanian lord sees the time has come to launch another armed struggle for Hungary's independence. The Viennese Chamberlain, however, learns of his activities and decides to 'liquidate' him. Two adventurous criminals are commissioned to carry out the assassination.

Daniel, the light warrior, and Saint Crap, the green-headed schemer, fight for the powerful hubugli stone. Joined by allies like the Demon, the Master, and Jean, the princess of luxury cat fur, they face Baghead in an epic apocalyptic showdown.

“István és Koppány,” the definitive Hungarian rock-opera by Levente Szörényi and János Bródy about the nation’s founding, returns for its 30th anniversary in a bold new staging by Róbert Alföldi. With unchanged music and lyrics, the spectacle unfolds on an 860 m², 21 m-high set, featuring 150 dancers and extras, a 60-piece symphony orchestra and a six-member rock band, all brought to life with redesigned décor and costumes.

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Nastia, who has lived abroad for years, starts to teach her mom how to use Internet services. Different perceptions of technology become the starting point for exposing intergenerational conflicts and long-forgotten family threads. Can an intimacy regained via zoom be a turning point for the future relationship between two adults?

Nastia, who has lived abroad for years, starts to teach her mom how to use Internet services. Different perceptions of technology become the starting point for exposing intergenerational conflicts and long-forgotten family threads. Can an intimacy regained via zoom be a turning point for the future relationship between two adults?

A six-part television series, a parody of the Munich newspaper, its gossip reporter Michael Graeter, and its publisher Anneliese Friedmann. The series centres around the tabloid reporter Baby Schimmerlos, who plays in the Munich "Schicki-Micki" scene of the 1980s.

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